Category Archives: Compositions

Farma Valley Winter Fest – notes from Day 1

[TO BE TRANSLATED]

Per avviare la giornata:

Gli articoli sul Tirreno di ieri

 

La prima giornata del festival d’inverno sintesi:

Code di piccoli e grandi preparativi, tra la preparazione del palco per i gruppi della sera, la stampa della bozza di mappa di comunità della Val di Farma, la realizzazione di una gigantografia di dimensioni 60×80 cm dell’articolo uscito nella pagina “Cultura” del Tirreno di sabato 17 e una trasferta a Grosseto per procurare una muta di corde phosphor bronze per Peter Seeds.

I Regars e gli Officina hanno poi allietato la serata, unendo la freschezza di ventenni appassionati di Rino Gaetano all’amarcord intramontabile dei più maturi ma sempre mordaci chiusdinesi, affiancati da Stefano Lanforti di Torniella alle tastiere.

Nel pomeriggio si è manifestata un’avanguardia degli Etruschi from Lakota: Luigi Ciampini, detto Roccia, è stato paracadutato “oltre le linee amiche” verso le 18.10. Ha quindi avuto modo di iniziare a conoscere più da vicino alcuni dei personaggi della Val di Farma, distribuire a giovani e meno giovani qualche adesivo del gruppo, e avviare un profondo dibattito musicale con Peter Seeds.

La serata si è conclusa attorno alle 02.40 di domenica con un nuovo soprannome da assegnare a Luigi: Bob ha proposto di chiamarlo “Sasso” anziché “Roccia”. Durante il proseguimento dei lavori si valuterà il da farsi.

Ricordiamo gli appuntamenti rimanenti.

NB: Vale sempre l’invito a leggere la guida al Festival.

Domenica

La valle, fresca ma soleggiata, vi aspetta per escursioni e passeggiate a tema libero. Per suggerimenti di itinerari, una volta arrivati potete chiedere alla Casa del Chiodo a Piloni, o al Bar la Combriccola di Torniella.

Dalle 16 circa sarà possibile visitare la sala musica della Banda di Torniella dove, in parallelo al sound check dei gruppi del pomeriggio, alcuni componenti della banda saranno felici di raccontare la storia passata e recente di questa interessante realtà, attiva dal 1887.

Alle 18 si comincia con la musica, e dalle 21 si terranno, in parallelo a eventuali sessioni musicali improvvisate che si potrebbero sviluppare:

la presentazione della mappa di comunità della Val di Farma
la consegna dei buiometri
le anticipazioni sul calendario 2017 di Attivarti.org e delle altre realtà associative operanti sul territorio (e qualche nota su come sostenere queste realtà).

Lunedì:

Un programma più rifinito sarà pubblicato lunedì mattina, dato che vogliamo tener conto dell’andamento della domenica.
Si prega quindi di fare riferimento per il momento alla locandina ufficiale del festival, con l’aggiunta alle ore 19 di lunedì di una sosta di un’oretta bòna (o “di un’oretta, bòna”) al Caffé Ricasoli di Grosseto, eccezionalmente aperto di lunedì e con addobbi natalizi che fanno concorrenza a Macy’s di New York,

Comunicazione di servizio

Roccia è quasi senza benzina. A meno che non decida di stabilirsi in Val di Farma dopo questa esperienza, lunedì dovrà prima o poi tornare verso Castelnuovo Val di Cecina con il suo mezzo. Se qualcuno avesse voglia e tempo di procurare una tanichetta da 5 litri e portarcela, gli si paga e intanto noi ci si concentra sui preparativi della giornata.

[….continua]

p.s. la cosa che più mi ha colpito: l’espressione, tra l’incuriosito e l’attento, di chiunque abbia visto leggere gli articoli a pag. 23 del Tirreno….che ora sono anche disponibili online: vedi

p.p.s. a fine festival seguirà foto reportage

Bitter Maremma?

[TO BE TRANSLATED]

PREMESSA

Nel 2014, per tenersi in allenamento dopo la missione della palla a 21 a Chicago del 2007 (cfr. Cronaca Vera, Il Tirreno e Youtube con inserti da un servizio su Comcast Sports News) si decise di organizzare un’operazione analoga su Milano. Il tutto si svolse su due fine settimana in zona Isola e prevedeva l’allestimento di una mostra sul gioco della palla, alcune dimostrazioni e momenti di cimento con i residenti della metropoli e annessa degustazione di prodotti bòni dalla Bassa Toscana.

Nel primo fine settimana eravamo Bob (a sinistra nella foto di repertorio, originariamente pubblicata nel primo episodio della rubrica Bosco Riserva) e il sottoscritto.

Durante il viaggio e durante tutto il soggiorno si ripeté più volte una situazione che si trasformò in bonario tormentone: le persone che si avvicinavano giustamente chiedevano “Ma voi da dove venite?“. E in genere Bob, più chiacchierone, rispondeva “dalla Maremma“, dato che pochissimi conoscono la Val di Farma (che in effetti non è in Maremma).

La reazione tipica all’evocare la Maremma era “che bello!“. E Bob a quel punto aggiungeva: “Sì, bello: venite a febbraio!” (e rideva).

Non abbiamo tenuto il conto ufficiale, ma come battuta ci dicevamo ogni volta “e quarantanove…e cinquanta…“. Insomma: tanta gente, direi la stragrande maggioranza associa una “grande bellezza” non solo a Roma, Caput Mundi, ma anche alla zona della ex-provincia di Grosseto.

TEMA

Questo tema della Maremma, una volta amara, che ora è la terra più bella del mondo, non è solo pour parler o gioca jouer. Le implicazioni che derivano da questo cambio di paradigma in termini di relazione col territorio hanno ripercussioni reali su politiche di sviluppo, formazione, cultura e chi più ne ha più ne metta.

E questa storia è da anni che si elabora, con il gruppo con cui collaboro. A valle delle elaborazioni, si provano anche a fare -nel nostro piccolo- delle (spieg)azioni per condividere un punto di vista non alternativo o contrapposto, ma complementare.

Complementare a quello, generatosi negli ultimi 40-50, anni nei confronti di varie zone rurali che una volta erano considerate terre “difficili” (ma quali sono le zone rurali che sono mai state “facili”?) e oggi sono percepite dai residenti delle smart city come oasi paradisiache: la Maremma è un esempio, ma ne potrei citare diversi altri con cui mi sono confrontato, in particolare dal 1997.

Una delle ultime sintesi sull’argomento è nata un paio di settimane fa, durante la raccolta delle ultime olive alla Collacchia…poche quest’anno, ma ovviamente bòne spesciali.

Diversi amici mi hanno incoraggiato a pubblicare il testo, che trovate sotto, e che potrà apprezzare meglio anche il lettore web, avendo seguito la premessa di cui sopra.

LOTTAVA RIMA

Eravamo la’ a Milano, in un giorno non lontano

Senza fretta, senza pesi, soli in mezzo ai milanesi

Si giocava con la palla, rimbalzava e vai a chiappalla

Si avvicinan due ragazze, sembran giusto incuriosite

Chiede una, la piu’ sveglia, “Ma voi da dove venite?”

Gli risponde Bob con flemma “Noi si vien dalla Maremma

Ora, ‘unn e’ proprio vero, ma e’ si’ giusto pe’ capissi

Che’ se dici “Val di Farma“, non lo sanno e poi ci glissi…

…ma tornando al dialoghello …”La Maremma…ma che bello”

“Ci sono stata quest’agosto…quanti bagni, che bel posto”

Allor Bob rivolge un ghigno all’amico men sanguigno

Lui ricambia, gia’ lo intende: dir ” Maremma ” sempre prende

Ma ti sfizia per l’estate, vieni qua con le brinate

No concorsi, niente premi…a volte ti ci fan sentire, scemi

E se vuoi davver guardare mica trovi solo il mare

La montagna, i colli e ‘l fiume…pochi suoni, manco un lume

Ma non voglio divagare, cara amica di citta’, non vorrei perdessi tempo nella tua complessita’

Se pensassi di tornare, se ‘sto spazio t’appassiona

Guarda il sito di pibinko, e poi chiama, scrivi o suona

 

E POI?

Altri episodi di ragionamenti condivisi su questo tema sono ad esempio “La Valle che non c’è” e il podcast di Maramao su m(‘)appare l’altra metà del paesaggio e comunque scorrendo www.pibinko.org e www.attivarti.org troverete altri spunti e cose fatte.

Mi farebbe piacere anche a sentire la vostra.

[CONTINUA…]

A summary of experiences from Italy in the Loss of the Night Network

The “Loss of the Night” project, funded by the EU COST programme, terminated its four years of activity at the end of October.

This article provides a brief summary of the project and of its relations to Italy.

Some context

nspow_0002_giussani_sgalganoArtificial light at night, if used in excess or inappropriately, will generate light pollution, which represents an issue for its negative effects on human health, fauna, flora, landscape, and energy consumption.
This issue can be controlled without compromising the need for illumination for security and life at night.
From this standpoint, guidelines and regulations have been established, for the reduction of light pollution. These have historically spawned from the experience of lighting engineers and astronomers (who were the first community, back in the early 20th century, to perceive the effect of light pollution on their observations). Much progress has been made in this field, especially in the past 10-15 years. However, the overall understanding of cause-effect relations between artificial light at night and the surrounding environment (and, thus, the definition of effective strategies to reduce light pollution) has yet to be attained.

The European Network

Loss of the Night started four years ago with the idea of connecting technicians and researcher interested in evaluating the effects of artificial light at night in an interdisciplinary context. This trend was already visible in several research initiatives, but was not until then structured in an international project.

Attivarti.org was invited to participate to the Loss of the Night Network since its first steps, given the experience we had developed in outreach, monitoring and citizen science with the della BuioMetria Partecipativa and CORDILIT projects.

Since February 2013 Attivarti.org operated as the primary representative of Italy in the LoNNe management committee, and was joined by the Italian National Research Council Institute of Biometeorology, base in Florence, in 2014.

lonne-institutions

The Loss of the Night network saw the participation of about 40 organisations from 18 countries, facilitating the exchange of knowledge across experts from numerous disciplines: a core of ecologists and physicists, together with chronobiologists, statisticians, sociologists, natural reserve managers, and lighting engineers, just to mention some of the expertise.

 

Among other outcomes, the Loss of the Night network helped to

  • Create a literature database on the effects of artificial light at night
  • Define guidelines on light at night
  • Hold conference, primarily creating the “Artificial Light at Night” series, as well as workshops, courses and outreach events
  • Organize scientific missions. The main one was a four-year intercomparison campaign, allowing the joint testing of various sensors and technologis for night sky quality monitoring. The 2015 edition of the campaign was held in Tuscany, with measurements taken in the Farma Valley and Sesto Fiorentino.

Italy and LoNNe

The participation in the Loss of the Night helped Attivarti.org to establish new contacts also at the national level.

In the research arena, in addition to the above mentioned collaboration with the Institute of Biometeorology (which installed some night sky brightness sensors and started observations on the effects of nocturnal lighting on trees in Florence), at the end of 2015 we started a collaboration with the Department of Biology and the University of Pisa, with studied on the effect of light pollution on marine ecology. We also had initial contacts with researchers in Trento, Bologna, Venice, and Milano, and had a chance to meet young Italian researchers currently working abroad.

Concerning outreach, Attivarti.org hosted some interns from the Scuola Superiore di Mediazione Linguistica in Pisa, for the translation of interviews and other material in English and Spanish.

We gave lectures in Portugal and Catalunya to present the issue of artificial light at night and our experiences in the BuioMetria Partecipativa project in architecture and design schools, and also presented our work from Italy at the ALAN conferences in Leicester, UK, and Cluj-Napoca, Romania, and at the Balkan Lighting conference in Athens, Greece.

Finally, we launched a series of short interviews, pubblished in Italian and English, to give voice to lesser known subjects (young researchers, civil servants, activists) who are committed in the study and the mitigation of light pollution.

nwa_italy
An excerpt of the new world atlas of night sky brightness (Falchi et al., 2016). The colour scale from black to white is related to light pollution. In areas with colour from black to green the night sky is of good quality.

During these four years, we have not interrupted our activities on BuioMetria Partecipativa, with data collection and events in various locations in Italy, and with our contribution to the CORDILIT monitoring network.

Conclusions

With the formal part of the Loss of the Night project now over (thanking once more the coordinators for inviting us back in 2012), we maintain the relationships developed during the project and the interest in continuing our activities of protection and promotion of the night sky. Our primary area of interest is Southern Tuscany, where the BuioMetria Partecipativa project started in 2008, but we are always interested to establish connections with other regions in Italy and the rest of the globe.

 

 

For more information: buiometria@attivarti.org

Nightscape: San Galgano Abbey (Siena), Federico Giussani

The first night sky quality monitoring campaign by the Museum of vine and wine in Roccastrada, Tuscany

Following the June 30, event about protection and promotion of the night sky at the Museum of Vine and Wine in Roccastrada, Southern Tuscany, the BuioMetria Partecipativa project left on site one of their sky quality meters.

At the end of the presentation, the Municipality agreed to turn of the public lighting in the central part of the village, in order to take some initial measurements of night sky quality.

The sensor was subsequently made available to guests and staff of the Museum. We had to wait for the Summer hustle-bustle to wind down, but it was then possible for the Museum’s team to take measurements during September and October in various parts of the village, thus expanding the BuioMetria Partecipativa database. In addition to identifying some new sampling points, repeated measurements were taken on different days, so as to consolidate the readings.

Kudos to Andrea, Laura, Cinzia, and Paola for this collaboration, hoping that the exercise may be replicated, and that the campaign may suggest a more aware approach to artificial light at night.

For more information: buiometria@attivarti.org

The Fourth International Conference on Artificial Light at Night

The fourth international conference on Artificial Light at Night (ALAN) was held in Cluj-Napoca (Romania) from Sep. 26 to Sep. 28. The event was organized by the Technical University of Cluj-Napoca and the COST Action ES1204 LoNNe, Loss of the Night Network.

Since 2013 this event has drawn experts and scientists from all over the world -with 22 countries represented this year- to share experiences, best practices, and studies on artificial light at night and light pollution.

2016-09-26-10-37-21About 100 participants with a very diverse background, from lighting engineering to chronobiology, from environmental sciences to statistics, astrophysics and visual arts created an interdisciplinary melting pot.

During the three days it was possible to learn about the state of the art related to different aspects of artificial light at night. The conference sessions covered human health, technologies for light pollution monitoring, social aspects, ecology and promotion of nightscapes.

The talks spanned across different scales of observation: from very high detail experiments concerning micro-organism in streams, up to continental-scale assessment of light pollution.

Across this extremely diverse range of experiences and viewpoints, it was in fact possible to identify some common points.

All of the experts agree on the fact that artificial light at night is an essential resource to support our lives, from business to recreation, to safety and security.

2016-09-28-19-44-50At the same time, there are many cases where the negative effects of too much artificial light at night cannot be ignored. While many of these are in the process of being investigated, cautions should be taken against the proliferation of lighting systems which do not consider such aspects.

The technical guidelines created over the past fifteen years, following the first studies on light pollution, were primarily aimed at the reduction of upward lighting and of the number of luminaires.

With the growing presence of LED lighting, a new issue emerged: first-generation LEDs insured an extremely high efficiency (with energy savings up to 80%), while providing a light with a very high component of blue.

Many studies, proposed also at the ALAN conference, have re-iterated that the blue component in light has various negative effects, the main one being the suppression of melatonin production in many species.

Considering that a lighting system can have a life span of 15-20 years, and that in the coming years the replacement of millions of luminaires is foreseen all over the world, the challenge will be to install lighting systems which can provide the best trade-off between energy efficiency and impact on humans and on the living environment.

In this respect, innovation never stops, starting from the availability of new generations of LEDs, with a reduced emission of light in the blue part of the spectrum (with a colour temperature around 3000K).

While many norms and guidelines have not yet completely accounted for such innovations, it is important that all the stakeholders involved in lighting (technicians, administrator, and citizens) be aware of the negative effects of too much artificial light at night, and of the solutions to counter such effects.

The ALAN conference also had the participation from Italian specialists. These included some young researchers (mostly active outside of Italy), and a joint presentation by the BuioMetria Partecipativa project with the National Research Council’s Biometeorology Institute. The presentation summarized various awareness raising and data collection efforts taking place since 2008, in Italy and abroad (see POSTER).

After the first four editions, the ALAN conference will be switching to a bi-annual schedule. The next edition is expected to take place in the USA in 2018.

The abstracts of the Cluj-Napoca conference are available in PDF format.

For more information: bmp@pibinko.org

Pietro Crivelli, painter and musician: from Florence to Southern Tuscany, via Bali and Seattle

Pietro Crivelli graduated at the Fine Arts Academy of Florence in 1974. In 1977 he had his first international exhibitions, in Amsterdam, The Netherlands, and in New York City.

In 1977 he left Italy for Asia and India for four years, relocated to Sicily in 1981-1982. Between 1982 and 1995 he was in the USA (California, Colorado, and Seattle, Washington), where he was active both as a painter and a decorator.

He then moved to Bali, where he continued his activity as an artist, painting also in India and Indonesia.

In 2010 he relocated back to Italy, moving in an area not far from Florence, his home town, but completely new for him: the Farma Valley, in the hills and off the beaten track, about 40 km South of Siena.

Here he continues is activities, combining his experiences, extremely varied and from different continents with the interaction with a local environment which maintains a very strong legacy with nature and with the history of Tuscany.

Being a fully-fledged artist, Pietro also has a consolidated track record as a musician and an entertainer: in 1971 he was one of the founding members of Whisky Trail, the first band in Italy to propose Irish folk music. He then left the group when he started his international travels, but was always active as a guitarist and bass player, with strong ties to folk, country music, blues and Afro-American spirituals.

Pietro will create original paintings, reproductions, trompe l’oeil and decorations using different techniques and in all sizes.

To contact Pietro: pietro.crivelli64@gmx.com , (+39) 366 4092413

Solo and collective exhibitions

1972, Florence, Italy, Le Pavoniere, Le Cascine
1973, Tokyo, Japan, Association Friends Italy-Japan
1974, Rome, Italy, Galleria Della Pigna,
1975, Prato, Italy (collective)
1977, Amsterdam, The Netherlands, International Etching Exhibition contest
1979, Pune, India, Music House, Koregoan Park (collective)
1988, Seattle, Washington USA, Torrefazione Italia Cafè.
1991, Seattle, Washington USA, Lawson Gallery (Collective)
1992-1995, Various private collections around the USA
1996, Florence, Italy, In club Editor
1997, Siena, Italy, Miasto Institute for Meditation (collective)
2001, Bali, Indonesia, Gaya Gallery (collective)
2002, Bali, Indonesia, Gaya Gallery, Recycled Art (collective)
2002, Bali, Indonesia, Biasa Gallery, Seminyak
2003, Singapore, Dauphin Gallery (collective)
2004, Milano, Italy, Navigli, East West Gallery
2005, Victoria, Australia, Q dos- Gallery, Lorne , Victoria (Collective)
2007, Warung Made, Seminyak, Bali, Indonesia. Solo exhibit “ The rice paddies”
2010, Tiruvannamalai , Rani’s Garden, Tamil Nadu, South India
2014, Siena, A cavallo dell’Anno, (Collective)
2015, Tatti, Italy (collective)

Awards

1977, Amsterdam, The Netherlands, Etching International Exhibition
First Prize etching: Train 833 at New York Grand Central

1979, Reggello, Italy, County award for oil painting

Round 1 with BuioMetria at Parco Nord Milano (Sep 12-13)

This is mostrly directect to Milanese folks interested in getting involved with our activities at the Ninth Biodiversity Festival at Parco Nord Milano

[TO BE TRANSLATED AND ABRIDGED]

Dopo la presentazione durante l’inaugurazione, di venerdì 11, la presenza della BuioMetria Partecipativa al nono Festival della Biodiversità del Parco Nord Milano è proseguita con uno spazio informativo-dimostrativo presso la Cascina Centrale del Parco.

Il “presepe buiometrico” è stato molto utile per spiegare la questione inquinamento lumionso dal punto di vista energetico, paesaggistico e della sicurezza. Sabato (dalle 13 alle 19 circa) abbiamo fornito informazioni ai passanti interessati, per lo più famiglie, e in attesa di foto ufficiali dei reporter dal festival, vi proponiamo un’immagine volante.

La giornata di domenica è stata contrassegnata da pioggia battente sino a metà pomeriggio, per cui il pubblico è stato poco incentivato a venire al parco, ma siamo stati comunque presenti dopo le 16.30.

Per quanto riguarda i prossimi giorni del festival:

  • Come da programma abbiamo lasciato un buiometro al Parco Nord e uno a Città Studi, per chi fosse interessato a eseguire misure di qualità del cielo notturno (da integrare nella mappa della buiometria partecipativa) di persona, può scriverci a info@attivarti.org e vediamo come fare.Da tenere presente che nel corso della settimana il tempo sarà abbastanza perturbato, e le nuvole non consentono di eseguire misure.
  • L’altro tema che proponevamo, per mantenere il filo rosso avviato nel 2010 con il concorso fotografico “Fra il tramonto e l’alba” e proseguito quest’estate con la mostra di Federico Giussani sui paesaggi notturni, è quello delle foto in notturna senza flash…come fare: facile…se vi aggirate nei prossimi giorni e provate a scattare delle foto in notturna senza flash, mandatecene un esempio e presentatevi! Chiaramente: non scattate a caso, ma su soggetti che ritenete affini alla BuioMetria Partecipativa e a m(‘)appare il paesaggio notturno.
  • Per le giornate del 19 e 20, stiamo verificando con i nostri simpatizzanti milanesi come animare i laboratori previsti per le ore 15 di tutti e due i giorni, dato che Andrea Giacomelli in parallelo sarà impegnato ad Atene per le riunioni della rete Loss of the Night. Di nuovo, se siete interessati a sapere cosa succederà, scrivete una mail.

A report on the Sep 8, 2015 meeting in Ribolla

The meeting, held at the Civic Centre of Ribolla, a former mining village in Southern Tuscany, was attended by about 15 people, including the presence of the administrators from the Municipality of Roccastrada. Some of the citizens and public authorities who previously expressed their interest in participating then wrote they could not come and apologised.

Summing it all up, the attendance was not so bad, considering it was a sunny Tuesday morning at the beginning of September.

The event was opened by Emiliano Rabazzi, Municipal Councillor of Roccastrada. Mr. Rabazzi brought the greetings of the local Administration and emphasized the value of the subject of the day for his Municipality and for all of the surrounding areas.

Andrea Giacomelli then explained the opportunity related to the Biodiversity Festival at Parco Nord in Milan.

He then switched to “calendar mode” and briefly recalled Attivarti.org’s milestones over the current year.

He also showed that the association’s activities related to night sky quality protection and promotion must be inserted in a context full of projects linked to environmental engineering and land planning which started in 1994. The Participatory Night Sky Quality Monitoring (Buiometria Partecipativa – BMP) is currently the most mature initiative, but not the only one in progress, and surely not the only one in a composite track record.

Some examples were given, including:

  • the participation, together with Giulia Ceccarini from Piloni, Southern Tuscany, in the contest of the INVOLEN European-funded project with two location-based games on the Farma Valley;
  • the activities related to the promotion of the traditional game “palla a 21/palla eh!” which, some way, laid the grounds for the development of the Participatory Night Sky Quality Monitoring;
  • the citizen science coordination work in the ENVIROFI project;
  • generally speaking, the mutual relation among culture, environment and free innovation that constitutes the working basis between pibinko.org and Attivarti.org (see also Ribolla 2008, Gerace 2011, Monticiano – Massa Marittima 2012);
  • the connection between work “for a living” and volunteer work

He also briefly described the working group who developed these initiatives, composed by people coming both from a “theoretical” world, as well as very practical down-to-earth experts (who are equally and often even more qualified than those trained in school).

Mr. Giacomelli then offered a new version of the presentation on dark sky protection and promotion. Following a format which has been used on average once a month since 2008, with events from Matera, in Southern Italy, to Edinburgh, Scotland, he gave an overview of the issue of light pollution in terms of causes, effects and solutions.

With respect to past editions of the presentation, a specific focus was give to three topics:
1. LEDs, sharing the recommendations about colour temperature and blue light developed by the Loss of the Night European research network (for which Attivarti.org is the main representative in Italy);
2. The Tuscan Regional Master plan for Energy and Environment (PAER, Piano Ambientale Energetico Regionale), which acknowledged some of the observations proposed by Attivarti.org during the public consultation phase. As far as the Tuscan Region is concerned, at this point we may find on page 118 of the document a reference to “night sky as a resource”, and other references relating to this topic, all proposed by Attivarti.org;
3. A brief assessment of strengths, weaknesses, opportunities and threats from the standpoint of night sky promotion in Southern Tuscany.

Finally, Federico Giussani, collaborating with Andrea Giacomelli since last year, proposed the video he edited with some of the shots presented at the Toscana Foto Festival 2015 exhibition in July, arousing significant interest by the audience.

The presentation was closed by the TV report made in 2010 by TG2 (the News at one by the second national public channel).
The meeting was opened at 10.50 a.m. and ended AT 12.15.

Photo credits:

  • model of the mine (detail): F. Giussani
  • the audience and the speaker: E. Rabazzi
  • Montemassi castle under the Milky Way: F. Giussani

Translation credits: Alessia Carrara – Post-translation adaptation Andrea Giacomelli