Category Archives: Compositions

So I thought I had something to do with INSPIRE…

Sometime in late 2006 -just a few weeks after I saw the photograph of a Portuguese family- I wrote to the organisers of a medium-sized technology-related workshop/conference taking place in June 2007: the INSPIRE conference.

Starting from 1997, I had been attending this event roughly every other year. First as a plain “listener”, then gradually starting to propose contributions as oral or poster presentations.

Ten years after having started this process, I proposed to the organisers the idea of proposing myself as a chair for a session, rather than a presentation. The session was to be called “So you had something to do with INSPIRE”.

The rationale for such a session was that the number of stakholders for which spatial information and spatial data infrastructures are core business, but ignore the INSPIRE directive is larger than the INSPIRE “managers” see.

So: the possibility of creating a bridge to communities such as grid computing (in 2006: call it whatever you like today), limited area modelling in meteorology, real-time flood forecasting in Brasil, or contaminated site remediation multi-nationals, sounded to me like an interesting experience….also because I had been spending a non-neglectable part of my paid time at work to explain to my managers and clients the importance of awareness about INSPIRE for their business.

The fact of being aware about INSPIRE is not just “fact-based information” for your Saturday morning readings, or techno-chit-chat to impress you parents on a Christmas dinner and reassure them that their investment in you degree was not totally wasted.

It implies that you (yes, you!) may have a role in saving some 90 MEuro per member state per year by having the Directive exist. As my friend Loriano says: “did anybody lose 90 MEuro ?”

The organisers of the 2007 event liked the idea, and invited me to promote the session to potential contributors.

During the rest of the Winter and Spring I spent time to contact, in writing, by phone, or in actual meetings, professionals which I thought may be interested in submitting an abstract for the “So you had nothing to do with INSPIRE”.

The session eventually did not happen: I managed to collect only two presentations, one of which was mine, and the other from Brasil. Some senior researchers questioned my invitation (“this does not relate to our work“), some private sector managers didn’t even pretend to say “we might consider the revenue deriving in the next quarter by funding your trip to attend the conference“.

As the first record companies told Frank Zappa, when he proposed his first works “No Commercial Potential”.

I still proposed a standard presentation about this topic, with the same title of my wannabe session, taking time off work to attend the conference and paying my travel (see PDF here)

On the way to the social dinner, I told one of the organisers that that was the last time I was attending the conference…not because I felt crossed for the session not taking place, simply because I wanted to find a different context to propose some ideas bubbling in my loaf.

During the same event, I was also invited to have a screening of a Z-movie produced with some collaborators a few months earlier (The Revenge of the Killer Chihuahua and of the Zombies). and -last but not least- I almost managed to miss my return flight, having forgotten the time zone difference between Portugal and Italy.

Following these events, and the sight of an old man selling fish along a road in Porto, indeed I stopped attending the conference.

This was up to 2010. In February, during a train trip from Milano Follonica to present our BMP project in the context of a national awareness raising event, I received a call from the INSPIRE guys, announcing that I was selected as an in-kind facilitator for one of the technical working groups which are making the directive happen.

This activity led me to attend the INSPIRE during the past three editions, still for a presentation each time, but also collaborating with others to propose other contents, such as a mash-up on biodiversity, a mini-football mini-tournament, and other activities related to INSPIRE less than some think (but also appreciated by some others!).

So – why am I spending a Saturday morning to recollect all of this ? An instant urge to feed my ego, a cold forcing me at home ? Following a conversation I had last night, driving between Parma and Reggio Emilia, I realised that possibly my perspective in 2006 was not necessarily totally wrong, but needed improvement (so: it was wrong…).

INSPIRE folks (not just EU officers): keep up the good work!

The top picture is by Fausto Giaccone, and the girl on the right is called Maria Emilia. About my age. The other pictures are by the author of this blog, and some of the readers of this post have seen the subjects portrayed…sooner or later (Cagliari, 2005, and Istanbul, 2012)

p.s. Just in case you are interested and not informed: Frank Zappa at some point opened his own record company. While he did some huge stuff before 1981, The records he made after sound like he lived at least relatively happy ever after, and suggest that he may be resting in good peace.

Maira on a mission: BuioMetria Partecipativa from China to Pakistan

The sky quality meter named “Maira” from the BuioMetria Partecipativa sensor pool was passed to  Ebrahim Hemmatnia, when we met him in  Scotland at the end of June. This happened at the INSPIRE Conference, where I was invited as the facilitator of one the INSPIRE Directive data specification working groups, and where I proposed organizing a mini-soccer match as a conflict mediation exercise in the social program of the conference (there is also an interview on Radio 24 about this, in Italian).

Ebrahim just left for a bike tour from China to Pakistan, leaving from Kashgar,  Xinjiang with destination Gilgit.

During this trip, of about three weeks Ebrahim will attempt collecting some measures

Ebrahim is the founder of World With No Borders

Song: April, code he will

These lyrics were written in April 2011, when I was working as a facilitator for one of the INSPIRE working groups, and a “complicator” for my business in Southern Tuscany (but the ENVIROFI “Citizens in Tuscany” initiative was just around the bend)…maybe thinking about Charles T and the BART Station.

10 aprile 2011


April, code he will


lyrics by Andrea Giacomelli (pibinko) - Music: [TBD, but initially inspire by a famous Sixties soul hit]




----------------------------------------------------------------------------------


Locked in in the morning sun

I'll be locked in when the new release comes

watching e-mails come in

I'll be thinking that FOSS is a win-win



But I'm sitting between rasters and layers

Watching new versions go their way

Wasting CPU ti-i-i-i-ime


I left my dongle in Roma

heading for the GFOSS day

Well I've had a maint. fee to live by

Seems like free code's gonna come my way



But I'm sitting between rasters and layers

Watching new versions go their way

Wasting CPU ti-i-i-i-ime



Looks like the GUI's gonna change

But the fees remain the same (zero)

I can't pay for a license that doesn't cost

So I guess I'll have more to invest



I'm sitting here resting my bones

and this mailing list won't leave me alone

Seven packages I  roamed 

Just to make (G)FOSS my home


So I'm...

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April, code he will by Andrea Giacomelli (pibinko) is licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 3.0 Unported License.

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Music: Renato lo scienziato (Renato the Scientist)

fralau-dSC_0314-xxr-webThis came out as a sort of response to “Pressioni di Settembre”. You can play this with some typical music from Naples (Tarantella and the like). Might be A minor and 110 BPM

22-11-2009


RENATO LO SCIENZIATO


Testi di Andrea Giacomelli (pibinko) - Musiche: [da identificare]




-----------------------------------------------------------------


lo chiamavano renato 'o talebbano...faceva l'ammore faceva l'ammore

lo chiamavano renato 'o talebbano...faceva per tre


una sera che tornava all'osteria

per passare una serata con gli amisci

vide un ragazzino che passeggiava strano

e gli fece un'impressione di marrano



rallentò e gli andò a domandare 

"caro coso dimmi cosa stai facendo ?"

"sa, signore, io già son qui per mappare..."

"perché vo' vedere un mondo sì stupendo"


il renato allor lo rimirò perplesso

e fra s´ penso "che cxxxo sta dicendo"

gli rispose "bravo, noi si fa lo stesso"

ma col sinclair e non con il nintendo



poi riprese il mezzo e giunse al locale

trovò piero, luisa, nando e giomaria

"sapete che ho incontrato un giovin fesso

che vuol mappare il mondo camminando per la via"



e mentre i quattro amici commentavano

pregiandosi di esser titolari

d'Italiano, storia, scienze e geografia

il giovinetto si dava agli affari



la morale qui di questa mia canzone

mi ricorda un poco quella lì di "Lola"

c'è di tutto sulla terra che mappiamo

ma il pregiudizio nun t'o leva 'a scuola

Creative Commons License
Renato lo scienziato by Andrea Giacomelli (pibinko) is licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 3.0 Unported License.

Additional terms and conditions for the use of this content are available here

Music: Pressioni di Settembre

This is a ballad coshira_beach_pesce-xxr-webmposed after the GFOSS Day in Bolzano (November, 2009), and after a long year of interactions with folks in Italy who were deeply engaged in Volunteered Geographic Information and the like.  The lyrics start with a super-geek flair, and eventually start to make sense towards the end. Try this at around 80 BPM with tunes similar to an slow romantic ballad.

21-11-2009

PRESSIONI DI SETTEMBRE


Testi di Andrea Giacomelli (pibinko) - Musiche: [da identificare]



Se tu prendi un vettore e ci applichi un buffer

quello che poi succede, no, tu non lo sai

e se carichi un raster e gli dai un po' di r.cluster

quello che poi si vede non lo immaginerai


RIT


perché sei...un neogeografo

perché sei...un neogeografo

vai a seguire un corso a pagamento

fai una laurea breve come buon investimento


ma lui no, non capisce, vede il mondo e reagisce

e poi arriva la sera e non spegne il PC

parte in quarta di mappa

ed è bello sognare che se tiri le righe

poi il mondo sorride


RIT

perché sei...un neogeografo

perché sei...un neogeografo

pensa se non c'era il gipiesse

ti toccava il teodolite per tirar le stesse!




[rallenta]


poi quel giorno di ottobre accese l'interruttore

e fu qualcosa di strano che si verificò

dove c'era lo schermo, sì, con tanti colori

solo un vetro grigio e, riflesso, il suo viso


RIT

era solo la spina staccata

ma colse l'occasione e andò a ffa' 'na passeggiata...

perché era un neogeografo....

...era un neogeografo....

....era un neogeografo... (ad libitum)

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Pressioni di settembre by Andrea Giacomelli (pibinko) is licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 3.0 Unported License.

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The first SQM observation provided by a “non-BMP” sensor

In this period we had the first observation supplied by somebody with an SQM sensor not borrowed from the BMP sensor pool. So: someone we do not know is feeding data to the BuioMetria Partecipativa project. Nice!

Evolution + Thru & Thru

circa 1991

The front of the sheet is an animation I created sometime in 1991, using my Hydrology book. I then replicated the drawings in a sort of a “circular” pattern, which is incomplete in this case (but I have other copies and the original animation). In the back of the sheet a pre-internet transcription of the lyrics for Thru and thru by Keith Richards (the transcription was surely made after 1993, since I did not know this song earlier).

More or less in the same period I created the “revenge” animation.