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Renzo Rosso with the Metalliferous Hills Jug Band

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Now that we recovered the “jet lag” following our mission to Germany, we can start to tidy up the documentation that we collected during our trip.

Here is a cameo by Renzo Rosso, Hydraulic and Maritime Constructions and Hydrology professor at Politecnico di Milano (also MS and PhD tutor for Jack o’Malley), who came to visit the JBCM for a moment of artistic exchange. On one side Renzo Rosso and his CD “Children of a Lesser River“, on the other side the inter-generational, international, geomusical collective. This was on May 30, 2019, around 5.30PM.

As a musical enticement, for a hydrology master we proposed our cover of “When the Levee Breaks” by Led Zeppelin. Simone and Renzo also had some debate on electric guitars. Some of you may also note a correlation between characters with and without hat.

Livin’ Milano

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Livin’ Milano – first version circa 1991. Third version (with the last part changed): October 2018

di Andrea Giacomelli / pibinko / Jack o’Malley

Blues in E

Mi La Mi

You live in Milano – the air is bad for your nose

La Mi

You live in Milano – the air is bad for your nose

Si

but let me tell you something baby

La Mi

you live in Milano you know how it goes

Mi – fisso

Monday morning – you get on the bus

You go to work in the same old fuss

Friday evening – a couple of beers

Mi7

You don’t see no women – and that has been going on for years

La Mi

but you’re living in Milano – the most beautiful town on the Earth

Si La Mi

You live in goddamned old Milano – but you don’t know what that is worth

Hey Baby, don’t you realize

you’re breathing shit, I ain’t tellin’ no lies

You are just sinking in that pool of regret

people call Milano, don’t you ever forget

but you’re living in Milano – the most beautiful town on the Earth

You live in goddamned old Milano – but you don’t know what that is worth

So girls, that’s how the story goes

I got out of town, it’s improving my nose

You wanna meet us, we’re up here in the hills

or we can come to Milano, but you’ve gotta pay the bills

…….

Adattamento in italiano:

Adaptation to Italian

Tu vivi a Milano – l’aria lì fa male al naso

Tu vivi a Milano – l’aria lì fa male al naso

Ma sai te ne dico una, bella

tu vivi a Milano e non sei lì per caso

E’ la mattina, di lunedì

vai là in ufficio, e ti pare un sacrificio

Venerdì sera – due birre con gli amici

Di donne nun c’è ombra, ti dedichi alla bici

ma tu vivi lì a Milano, la più bella città del pianeta

stai in questo cazzo di Milano, perché te l’ha detto il tuo profeta

Oh ragazzi, non vi rendete conto

respirate gas, non vi faccio lo sconto

lì nelle sabbie –– mobili di rimpianti

che chiamano Milano, e vi vedo, siete tanti

RIT

Via ragazze –– qui le storie son finite

Son partito da Milano, mi è passata la rinite

Per entrare in confidenza, dài venite giù in collina

O se no si vien su noi, a veder la Madonnina

The Metalliferous Hills Jug Band Geomusical Mission to Germany, via Politecnico di Milano: how did it go?

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From May 30 to June 3, 2019, the Metalliferous Hills Jug Band (in Italian: Jug Band dalle Colline Metallifere), with a formation including Dario Canal, Simone Sandrucci, Scheibe, Jack o’Malley conducted a mission combining musical, territorial promotion, twinning…you name it (you might want to check last week’s presentation article). This was quite challenging, but overall smooth and with an extremely positive effect for those who were there.

We had seven performances in three days, over 2600 km of whereabouts, night sky quality measurements, typical southern Tuscany product tasting, and various moments of audience engagement. We had participants singing, checking maps and articles related to the activities of the JBCM collective, and we are now working on the next events on this line of activity.

Below is a brief summary of the experiences of our last five days. For more information and booking: jugbandcm@pibinko.org or +393317539228.

Thursday, May 30 Departure from the Metalliferous Hills (Southern Tuscany) to retrieve a night sky quality meter used for the Buiometria Partecipativa project at Radio Popolare Milano, and a seminar about from sound engineering to engineering with sound at the Dept. of Civil and Environmental engineering (also part of the 2019 Festival of Sustainability). For the scientific part of the performance, in addition to the talks by Jack O’Malley on rural area socioeconomics and buiometria partecipativa, we had a presentation by Wolfgang Scheibe on biodynamic agriculture, and -more in general- on the basics of quality agriculture.

Politecnico di Milano – geomusical serminar (photo by Vittorio Giacomelli)
Grand finale at Politecnico including Manuel S., beatboxer and painter.

Friday, May 31 Transfer from Milano to Sachsenheim, Germany, with a performance at Tender IBISA Kulturtreff. This is in the premises of the former train station, now used as a cultural community centre. On location we had goulash for all, a nice sunset background, with occasional trains passing by, plus travellers coming up from the stairs and finding a live band).

Sound check at the Tender in Sachsenheim
That’s all right, “train and ruler” version (clip)
Young beatboxers with Dario Canal at the end of the concert

After the public part of the day, we were teleported in spaghetti and jam session with the dynamic Crissi, known in Germany as the Dizzy Bee frontman, and also active in other musical projects.

Saturday, June 1

Late AM in the Ludwigsburg Market Square, during the market (photo by Cristopher Mosselmann)
A close-up view of the band (photo by Christopher Mosselmann)
Preparing the set for the gig at the Brau Tage in Ludwigsburg
We also went to visit new cultural spaces.

In the evening we were at ristorante Salento in Vaihingen an der Enz. There was a peculiar situation during the final jam session on That’s All Right: Jack o’Malley’s stool collapsed, but some way he managed not to stop playing, and finishing the concert sitting on the floor. After the third live set, dinner at the Brau Tage in Ludwisgburg, including a night sky quality measurement in the festival square (17.7 mag/arcsec^2 around midnight).

High-visibility jackets to lower down the drumming volume indoor (photo by Crissi Mosselmann)

Sunday, June 2: Early PM situation at Caffé Bar Tatti, downtown Stuttgart…very, very peculiar, and groovy (we look forward to see the video, since the gig was filmed with professional gear):

…with the best regards of the Café Bar Tatti staff. Video and photo by Benni Scheibe.

On Sunday evening, a concert in the farmyard at Völkleswaldhof in Oberrot, with another night sky quality measurement in the fields by the farm (recording 21.35 mag/arcsec ^2 with the Scilla sensor)

The murder of Santa Claus – opening the concert.
A typical night kitten appearing on stage at the end of the concert.

Monday June 3 We had a visit to the Huober Brezel factory, running for almost 70 years, guided by Wolfgang, our official skinny farmer and biodynamics expert, who actually worked in the factory in the Eighties, managing its transition to biodynamic processes. The header picture shows the JBCM collective at the end of the visit. Following this educational opportunity, we headed back for Tuscany. Below you see Simone driving somewhere South of Verona, brainstorming about Samoan lawyers, Bonfiglio, and various community engagement ideas which we will work on in the coming months.

Acknowledgements in no particular order: Romolo Chiari, Vittorio Giacomelli, Az. agricola Il Fontino, Az. vinicola Ampeleia, Az. Agricola Loriano Bartoli, DICA @ Politecnico di Milano, Tatti Café Bar Stuttgart, Tender Sachsenheim, Ristorante Salento Vahingen an der Enz, Christopher Mosselmann, Pius, Andreas and the Völkleswaldhof bei Oberrot, Benni & Markus, Brigitte, Crissi, Theo & Anton, Andy, the Rossknecht brewery, the Huober family, and others which we will add to this list once we recover the “jet lag”.

The Lecture “from Sound Engineering to Engineering with Sound” – how did it go

Performances, Senza categoria

In addition to the “usual” talk by pibinko aka Jack o Malley aka Andrea Giacomelli on rural resilience, open mapping, night sky participatory monitoring, we explained how various songs (starting from Etruschi from Lakota) help us to convey issues on land and environment, we also had a talk by Prof. Wolfgang Scheibe, our one-string bass player. Wolfgang also happens to have some fifty years of experience in biodynamic agriculture, and he explained to our audience his “matter cycle” in relation to agriculture.

Professor Scheibe drawing some chart, followed with attention by Professor Canal and Professor Sandrucci

As a closing situation, a cool rock-blues-beatobox jam session featuring Manuel S.

From Tatti, Southern Tuscany, to Germany: “geomusical” waves from the Metalliferous Hills to speak about our territories (and do something about it)

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Tomorrow, Thursday May 30, AM, from Tatti, a small hamlet in the area of Massa Marittima (Southern Tuscany), there will be the kick off of a “little feat”. Little, but a feat.

Picture a 70 year-old a 50 year-old, and two under 30’s, interacting almost daily for over two years now, on the grounds of their respective professional experiences (agriculture, engineering, music) to explain some issues which are important to them, concerning the development (or the lack thereof) of a rural area.

Or… picture two young folks from the Cecina Valley, born and raised in a combination of rural tradition and modern geothermal energy utilities, and two “less young folks” born in Germany (even though one is genetically from Southern Tuscany), who have been roaming and working for years in various European and extra-Europan countries, eventually meeting at 400 metres above sea level, around longitude 43 North in the Thyrrenian area, experimenting the coexistence of indigenous and local values and projects.

The overall result of this exercise to date is an interdisciplinary project which -starting from the “minimum common denominator” represented by music multiplied by a will to make an active use of it in the environmental field, i.e. geomusic– has taken the form of a collective called Metalliferous Hills Jug Band (in Italian “Jug Band dalle Colline Metallifere“, or JBCM).

The base quartet of the Jug Band Colline Metallifere: left to right, Dario Canal, Wolgang Scheibe, Jack o’Malley (Andrea Giacomelli), Simone Sandrucci (photo by Liliana Cafiero).

The feat will consist in giving five performances in four days. These will combine music, storytelling, land planning, agriculture, citizen science on light pollution, free/open source mapping, and other threads (including tasting of typical products from the area where the group is based). The opening event will be at Politecnico di Milano. Then, the band will head to in Germany, in the Stuttgart area (performing, in addition to the Baden-Württemberg capital, in Ludwigsburg, Vaihingen-Enz, Sachsenheim, and Oberrot). A detailed schedule of the story is explained in this post.

The JBCM collective went public in September 2018. During the cold months it played in several events in Southern Tuscany, and worked in parallel to explain the project. This has raised interest both in Italy and abroad. Among other feedback, the geomusical idea has been acknowledged by the European Citizen Science Association as an experimental project for empowerment, inclusiveness and equality in participatory investigations (where scientist and citizens co-exist), and is enticing research and outreach institutions from various countries.

The return to Toscana is planned for June 3, with a load of typical German products to balance the Tuscan products we will have shared on our way up. We then expect to arrange some event to let people know how the story went.

As Marcus King, young bluesman from South Carolina says “.. we don’t know where we’re headed, but we know we’ll meet you there”.

For more information: jugbandcm@pibinko.org (all band members read it) or +39 3317539228 (Jack O’Malley).

Dates, times and venues for the Metalliferous Hills Jug Band tour in Germany, via Politecnico di Milano (May 30 – June 3, 2019)

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In the past weeks we gave you a bunch of detailed information of explanations and rationale concerning the Metalliferous Hills Jug Band project, and its fractal ramifications on geomusic, art-science-Tuscan goodies tasting, etc. While we approach the final phases of our preparations before starting the tour, let us summarize directly where you may find us on tour. Looking forward to see you!

For more information: jugbandcm@pibinko.org or +393317539228.

Thu. May 30, from 6 to 7PM, Politecnico di Milano, Citrini Hall (with a prologue from 4 to 6PM)

Partenza il 31-5 mattina da Milano verso nord, con cinque situazioni:

Fri May 30, 8PM, Sachsenheim, TENDER Cultural Centre

Sat, June 1, 1PM to XPM, Ludwigsburg, Beer Days

Sat., June 1, 8PM, Vaihingen-Enz, Ristorante Salento

Sun, June 2, 3PM, Stuttgart, Caffé-Bar Tatti ( Facebook event)

Sat, June 2, 8PM, Völkleswaldhof bei Oberrot

Lunedì 3 giugno – lenta discesa verso la Toscana con possibile sosta di defaticamento.

Per chi non ha confidenza coi luoghi tedeschi (di noi, tutti tranne Wolfgang), una mappa che riassume le località:

Foto di testa: Liliana Cafiero

-10 Days to the Launch of the Metalliferous Hills Jug Band Geomusical Tour

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The Metalliferous Hills Jug Band (in Italian: Jug Band dalle Colline Metallifere or JBCM) is an international and inter-generational collective based in Southern Tuscany, close to the border of the Grosseto and Pisa provinces. This is an area where rural issues, geothermal energy, and decommissioned mining sites characterize one of the lesser known parts of the region.

The JBCM proposes a combination of music and environmental practice, where melody, rhythm, storytelling, and scientific outreach merge in a single situation, with a country-blues backdrop, played by two young professional rockers, and two environment and agriculture experts (less young, but still quite dynamic).

From May 31 to June 3, 2019 the JBCM will be on its first tour, which happens to be abroad, namely in the Stuttgart area, in Germany (here are the tour details). On its way North, the band will make a stop in Milano. Here the JBCM will give a seminar (Campus Leonardo, Aula Citrini, May 30 from 4PM to 7PM) about “From Sound Engineering to Engineering with Sound“. This event is also part of the official program of a national Festival on Sustainability.

The musical component of the JBCM, directed by Dario Canal (vocals, guitar, and washboard) and Simone Sandrucci (guitars and banjo), travels in parallel with the other ingredients which the collective proposes in each performance. It carries a merchandising desk which may be exchanged for a “micro-museum” or for a tourism board info point, or a delicatessen tasting table…it’s all in the eye of the beholder. In fact, the band carries its territory, in the form of maps (curated by Jack O’Malley who is an environmental engineer when not drumming), hand-made prints (created by Wolfgang Scheibe, the JBCM one-string bass player), balls from ancient games, and numerous other items collected in Southern Tuscany (and beyond).

The JBCM song list sums the influences and the experiences across three different generations, given the age range of the musicians. Starting from some Rock’n’Roll and Blues standards (some of which adapted to Italian by the band), it then covers some traditional Italian songwriter hits from the Seventies, and proposes several original songs. These include various tracks from Etruschi from Lakota (the main band where Dario and Simone work together), as well as new Italian authors.

The poster of the Politecnico di Milano +Germany tour. This was hand made by Wolfgang, our one-string bass player, in his secret print shop.

To complement this repertoire, we have the “geomusical“, part of the project. As an example, there is a blues on air quality in Milano, written by Jack o’Malley in 1991, and re-visited with the JBCM as a part of a path where music becomes a connector between cities and countryside, science and practice, urban innovation hubs and bars in rural hamlets…

…at the end of the day, you may find that the differences between these settings are more in form than in substance, and that a rocker, a researcher and a farmer can work as peers in a project concerning the protection and the development of their territory.

A taste (including typical Tuscan products) of the JBCM format was recently given in a duo mini-tour covering Milan and Brescia, with the collaboration of Federico Giussani, a professional nightscape photographer. We are also planning more events starting from the second half of June, always mixing entertainment location and scientific venues.

If you like the JBCM project, you can also support our mission. Find out how.

For more information: jugbandcm@pibinko.org or +393317539228

36 Hours of dark sky-music-photo-participatory mapping between Milan, Brescia and the Metalliferous Hills (May 15-16, 2019)

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Between May 15 and 16 the Metalliferous Hills Jug Band collective (in Italian: Jug Band dalle Colline Metallifere) took the shape of a power trio, embedding Federico Giussani, a nightscape photographer from Southern Tuscany, with Dario and Jack.

Our goal for these two days was to give two presentations. One in Milan, in one of the evenings with Off Topic in the Isola neighbourhood, and one in Brescia, with a national conference on interdisciplinary protection and promotion of the night sky

Below you will find a photo report based on Federico’s shots.
As our next meetup, save the date for Thursday, May 30, at Politecnico di Milano from 4 to 7PM for a lecture called “From Sound Engineering to Engineering with Sound“. This event is also part of the program of a national festival on sustainability. After this, the collective will head for Germany ( info@pibinko.org or +393317539228).

So, here goes:

A quick survey at Politecnico di Milano, in preparation for our May 30 lecture “From Sound Engineering to Engineering with Sound” (May 30, 4-7PM).

After an excellent pistachio ice cream, here we are in the Isola area, just by the Vertical Forest, where you can pick diagonal mushrooms after the rainy period.
This was part of the exhibition by Federico at Piano Terra. We gave special care to the flyer preparation. It actually looks like any piece of scrap paper, hand written with a blue pencil.
We made an effort to explain where we come from, and what we did on May 11 in Torniella (Southern Tuscany, where many of our projects originated), with a delegation from Politecnico di Milano.
After an “aperitivo” with typical products from Southern Tuscany, a brief introduction by Jack o’Malley…
…complemented by some press clippings and articles (see the full items online Tirreno 1, Tirreno 2, Langscape)
This is a POV of the drummer, including a shaker and two palla a 21 balls, waiting to the house to start rocking.
Diego Armando protects the quality of our night skies.
Dario starts his “talk” (should we say “sing”?), with Federico’s images rolling in the background. On the set, maps of various sorts (including the Farma Valley community map, posted on the table). The cake hand baked (with hand-made jam by hand-picked fruit) by Aunt Anna from Tuscany for our departure, helped to bind the audience.
The St. Galgano Abbey, in Southern Tuscany, exposing an interesting case of “needs improvement” lighting (in other parts of our events we explain how this can be accomplished without jeopardizing the tourism potential of such sites).
Things eventually start getting groovy (check out videos for Nella Vena di Vino, or Abramo e Mezzogiorno di grano, )
A break for Dario on vocals, with the Livin’ Milano blues on air quality (see the video)
At some point Manuel S., a milanese beatboxer on the loose, enters the scene (see Three Little Birds and Supermarket)
In the JBCM various items have multiple functions. A plastic tank is also used as a bass drum.
The event in Milano was wrapped up at 2.30AM. At 9.50AM of the same day (May 16= we were in Council Hall at the University of Brescia, were we were to propose our “Interdisciplinary Promotion and Protection of the Night Sky” conference. Professor Ranzi enters the hall to open the event…
…precedede by a May 15 article on Corriere della Sera (Brescia edition)
The conference on night skies starts with a title track about the sky (and various phones start shooting videos of such an unusual opening)
After the presentation by pibinko, Maria d’Amore from the Regione Emilia-Romagna administration tells us all the story concerning light pollution laws and guidelines in Italy.
After the lunch break, Federico gives an overview of Southern Tuscany by night, using the images which the evening before were the core of his exhibition. Pibinko occasionally provides his addendum, mentioning bike tourism itineraries connecting the sites presented at night, or ma-and-pa cafes where you can taste yummy stuff, in between a Millky Way shot and a light pollution case.

At 4.30PM the conference is over. The attendance certificates are signed. We are ready to close shop, but somebody from the audience asks: “...what about the closing track?“

So the closing track was done. It turned out that one of the participants is a drummer. He asked for drum sticks, but they were in the car in the underground parking…too far to seize the moment…so he joined the rhythm sections by playing the table.

The most surprising comment which we recorded at the end by one of the participants was that “…The conference was really entertaining“.

What can we say…if you want more write to jugbandcm@pibinko.org

Also, please save the date for Thursday, May 30, at Politecnico di Milano from 4 to 7PM for a lecture by the Jug Band Colline Metallifere with its full formation, called “From Sound Engineering to Engineering with Sound“,. After this, the collective will head for Germany ( info@pibinko.org or +393317539228).

Looking forward to see you!