Note: the article was sent to ASEF on March 25, so it does not account for various developments occurred over the following couple of weeks, but it is perfect as an introduction.
Jary Joe ci ha dato il permesso di ripubblicare il video fatto ieri sera dal suo amico Alin Corneliu Craciun. Per capire perché la Jug Band Colline Metallifere rilancia questo video dovete tornare al 2014, quando Jack O’Malley si ritrovò alla Combriccola in una jam session con il signore che suona qui dal balcone, e Peter Crivelli, che giusto una settimana fa ci ha mandato la Freedom Ballad. Da allora siamo rimasti in contatto, e non ci dispiacerebbe un giorno fare altra musica d’insieme.
A un primo impatto, per chi non conosce l’artista, potrebbe fare un effetto strano…un pensionato impazzito durante il lockdown che si mette a suonare a palla. Ma, come dicono in Val di Farma: “Vai a giudica’ la vacca a diace’“…Jary Jo è un chitarrista talentuoso che dalla Svizzera ha attraversato la storia musicale rock-pop dagli anni ’60 del secolo scorso in qua, e che ha collaborato anche con personaggioni molto noti (sotto ne abbiamo messi due..foto estratte dal video che trovate sul sito di Jary Joe).
La qualità dell’audio è quella che consente un telefonino dal palazzo dirimpetto, e il direttore della fotografia torna la prossima volta…ma l’energia arriva tutta e i più attenti riconosceranno nel set di Jary Joe una chicca degli anni ’60.
Jary Joe con Shahnour Vaghinag Aznavourian, al secolo Charles AznavourJary Joe con Brian Auger, al secolo Brian Auger
Right now it is not so relevant to expose the differentiation of participant roles. We can say that there are about 30 folks spread across seven Italian regions. For more information and booking: micalosapevo@pibinko.org.
If you don’t know who is the character in the background, please follow this link.
This was initially sent via our mailing list distribution and is being reposted here.
Hello, I hope you are well.
In Tatti (Southern Tuscany) the sun is shining and a lot of music is spinning around. We just published the daily Lithobag, and [CUUUUT…TOO MUCH INFORMATION].
Some of you may have seen updates via social media, but I like the idea of a weekly summary for our project, at least in these first stages.
Concerning the household collections: several sample photos are arriving, mostly from outside Tatti, and out of Tuscany. In addition, other families from Tatti who didn’t know about the project at first have expressed their interest to join. To avoid overloading the system, we have adopted some basic queue management strategies, but if you sent a sample photo over the past two weeks please be assured that it will be examined. In parallel, we had other classifiers raising their hand to help. Some from Cagliari, Sardinia, some from Sterzing/Vipiteno, South Tyrol. These are people that we have never met in person, so we are seeing a familiar pattern.
Interaction #1 ‘This story is really cool, I’m in!’. Interaction #2. …takes a bit of time to be triggered and actually operate in the project.
On one hand this is easily motivated by everybody’s daily business and worries. On the other hand, there may be second thoughts (These guys are out of their mind!). With the pibinko.org we have been living in projects like this since 2006, so we are comforted by the fact that it could be no different, and we “keep on keeping on”…
In the meantime, Cristian from Torino, one of the classifiers since day 1, has conducted his review of over 90% of the current samples (some 200 items), and others will follow. The developments in the entertainerment team have been very good. Last Thursday we published a geojazz tune featuring Liliana Cafiero: Tatti and its stones. We are working on a third song, and we have received the first response to the Metalliferous Hills Jug Band call for an English mother-tongue vocalist. This came from South Africa, and we are now brainstorming in the team to see how we may collaborate.
Last, but not least, we remind you that it is possible to support the Participatory Lithology project in various ways, as explained in the page for prospective sponsors.
He is a photographer born in Rome, and living in Southern Tuscany since 2014. In his portfolio he has several international projects, including an exhibition following a six-month mission in the heart of the Amazon basin.
Born in Monte Argentario, Southern Tuscany. She has been a photographer since 1997, and living in Tatti, Southern Tuscany, since 2006. She has recently (Jan 2020) published a photo book called Retrospettiva, palio marinaro dell’Argentario, uno sguardo intimo, on the traditional boat race held in Porto Santo Stefano.
To understand what Participatory Lithology is, and how we are proposing it, we encourage you to read the summary of the project’s first week (March 21-27, 2020).
To consider the effort involved in the project, you may review what the different roles are expected to do (follow the links above), and how we communicate it, in Italian and English. On the pibinko.org site we have post with the PELP tag, and on jugbandcm.it we have the daily Lithobag posts, by the Metalliferous Hills Jug Band and other entertainers. All the posts appearing in these sites are then circulated to a wide list of direct contacts (several thousands of people), in addition to being re-posted to social media and thematic mailing lists.
Let us now see what sponsors can do, with different levels of commitment.
What we figure is that the collectors will have a direct return from the project, since the classifiers are helping them to make sense of their collections, so they are ok. On the other hand, classifiers and entertainers are in fact providing a service: so it would be great to give them some real recognition, be it in goods, services, or remuneration (if this cannot be replaced by products or services they may need). Enter the sponsors, with four possible levels briefly presented below. To get more practical details on how to support the project, please write to micalosapevo@pibinko.org
Level 0. Moral Support
The more, the better, but this is never enough to make the project work on its own. Proceed to the next level.
Jack O’Malley from the Metalliferous Hills Jug Band (R), running the lithobag” article series for Participatory Lithology, explaining BuioMetria Partecipativa (Participatory Night Sky Quality Monitoring) to Salvo Sottile (L), on “Prima dell’Alba” (RAI 3 Mar. 26, 2018)
Level 1. Communication
From word of mouth, to interviews, reports and other forms of storytelling, anything goes. With “palla 21” in Chicago, in 2007, we were also covered by Comcast Sports News, and in the following years most projects by the pibinko.org network have received frequent media coverage. For some reason, this is never enough to explain what we are doing…possibly because it sounds strange that our team, generally working out of a bar in a rural area, can manage what we manage. Alas.
Level 2a. Products
Simone and Dario (first and third from the left) from the Metalliferous Hills Jug Band at a farm producing yummy products in Southern Tuscany.
We have consolidated relations with several small producers in Southern Tuscany. If you would like to join this list, please write to micalosapevo@pibinko.org.
Participatory Lithology was launched from Southern Tuscany, so -even though we work to engage other territories- we like the idea of sending to the classifiers and the entertainers who will turn out to be more in tune with our project some enticing products from our home region.
Level 2b. Services
At present we have received support by professional photographers, graphic designers, and video editors. Eventually, we may appreciate help from other hands and heads.
Also, sooner or later we will be sending some “rewards” to the most “participatory participants”. At that point we will need support by transporters (or, worst case scenario, to cover shipping costs we will need money, which brings us to Level 3).
Level 3. Monetary support
In addition to covering shipping costs for typical products for the coolest classifiers and entertainers, we can make use of monetary support for two purposes: (1) to compensate part of the time required to run the project, and (2) to create a reserve for initiatives to further promote the results of the project once this is completed. At present we are considering a first phase reaching the end of April/beginning of May, and the possibility of continuing with a “phase 2” if conditions allow.
Expected return for the sponsors
Sponsors will receive visibility through all communication activities related to the project. Please write to micalosapevo@pibinko.org for more information.
Who is the character in the header image for this article?T
This is Mauro il Tirannosauro, i.e. Mauro, the T-Rex. He has a cover role as the mascot for Participatory Lithology. In fact, Mauro is the mastermind behind the whole story. You may check what Mauro has been up to following his tag on the pibinko.org blog: http://www.pibinko.org/tag/maurotrex-en/
